@book {1736,
	title = {The origins of creativity},
	year = {2001},
	note = {edited by Karl H. Pfenninger and Valerie R. Shubik ; with contributions from Bruce Adolphe ... [et al.]ill. ; 24 cmIncludes bibliographical references (p. [237]-245) and index},
	pages = {xvii, 268 p., [8] p. of plates},
	publisher = {Oxford University Press},
	organization = {Oxford University Press},
	address = {Oxford ; New York},
	abstract = {The exploration of creativity used to be confined to the domains of psychology and philosophy. This has changed greatly in recent years with the dramatic advances of modern neuroscience and our greatly improved understanding of higher brain function. This book examines the biology of the brain and creativity not only through psychology and philosophy but also with the input of art, science and neurobiology, for the first time bringing the discoveries of modern neurobiology to bear on the subject of creativity. It addresses four themes central to our understanding of creativity: the creative experience in art and science; the mind{\textquoteright}s perception of patterns; the biological basis of imagination; and the influence of the environment of creative powers.In this fascinating and inter-disciplinary collection of essays painters and composers explore the creative processes in their arts, a mathematician points out that computer generated fractal images are often perceived as art and evoke emotional reactions, and modern neuroscience begins to explain the creator{\textquoteright}s experience and sees creative decision-making as a function that is inseparable from emotion. Not only are these essays fascinating within themselves, but they interact and collide in such a way that suddenly mathematics is bringing forth art and science becomes an argument for unexplainable emotions. Many questions and theories are explored in these pages - What is the Eureka experience, how do the brain and mind make creative decisions, and what is the role of emotion?In the end The Origins of Creativity will explore with you the possibility of creativity being a genetically encoded product of the evolution of the brain, favored by natural selection, but influenced by the environment of each individual as it unifies traditional views on creativity with today{\textquoteright}s new sciences of the mind.Overturning the dogma: catalytic RNA / Thomas R. Cech -- Form from fire / Dale Chihuly -- Meaning in art and science / Gunther S. Stent -- Embracing the range / David E. Rogers -- Some notes on brain, imagination, and creativity / Antonio R. Damasio -- With music in mind / Bruce Adolphe -- The evolving brain / Karl H. Pfenninger -- The early experience / Janina Galler -- Creators: multiple intelligences / Howard Gardner -- Tides of genius / George E. Palade -- A painter{\textquoteright}s perspective / Fran{\c c}oise Gilor -- Line versus color: the brain and the language of visual arts / Charles F. Stevens -- The fractal universe Benoit B. Mandelbrot},
	keywords = {Brain, Creative ability, Creative thinking, Creativeness, Imagination, Mental Processes, Perception, Psychophysiology},
	isbn = {0198507151},
	author = {Pfenninger, Karl H and Shubik, Valerie R and Adolphe, Bruce}
}
