@book {1967, title = {Musical Languages}, year = {1997}, note = {

}, pages = {230}, publisher = {Norton}, organization = {Norton}, edition = {1st Ed.}, address = {New York}, abstract = {

In Musical Languages, Swain revisits the age-old analogy between music and language in light of the latest advances in modern linguistics and cognitive psychology. He shows how our new knowledge about spoken language can explain our experience of music. The illustrations used in the book range from the most elemental speech sounds to the poetry of Emerson, from a single saxophone note to the grandest passages of Beethoven; they include discussions of medieval polyphony and the music of Josquin, Palestrina, Monteverdi, Bach, Mozart, Wagner, Debussy, Schoenberg, and American jazz, all within their historical contexts. Such scope shows how deep the analogy between music and language really is. The ubiquitous expression "musical language" becomes fresh and precise once again.1. Intoduction -- 2. Musical Syntax -- 3. The Range of Musical Semantics -- 4. Linguistic and Musical Contexts -- 5. Musical Metaphor -- 6. Artificial Languages and the Problem of Twentieth-Century Music -- 7. Evolution of Musical Languages -- 8. Musical Languages -- App. Chordal Analysis Using Roman Numerals

}, keywords = {Music and language.}, isbn = {0393040798}, url = {http://lccn.loc.gov/96038351}, author = {Swain, Joseph Peter} }