<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Aubert, M.</style></author><author><style face="normal" font="default" size="100%">Setiawan, P.</style></author><author><style face="normal" font="default" size="100%">Oktaviana, A. A.</style></author><author><style face="normal" font="default" size="100%">Brumm, A.</style></author><author><style face="normal" font="default" size="100%">Sulistyarto, P. H.</style></author><author><style face="normal" font="default" size="100%">Saptomo, E. W.</style></author><author><style face="normal" font="default" size="100%">Istiawan, B.</style></author><author><style face="normal" font="default" size="100%">Ma’rifat, T. A.</style></author><author><style face="normal" font="default" size="100%">Wahyuono, V. N.</style></author><author><style face="normal" font="default" size="100%">Atmoko, F. T.</style></author><author><style face="normal" font="default" size="100%">Zhao, J.-x.</style></author><author><style face="normal" font="default" size="100%">Huntley, J.</style></author><author><style face="normal" font="default" size="100%">Taçon, P. S. C.</style></author><author><style face="normal" font="default" size="100%">Howard, D. L.</style></author><author><style face="normal" font="default" size="100%">Brand, H. E. A.</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Palaeolithic cave art in Borneo</style></title><secondary-title><style face="normal" font="default" size="100%">Nature</style></secondary-title><short-title><style face="normal" font="default" size="100%">Nature</style></short-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2018/11/07</style></date></pub-dates></dates><urls><web-urls><url><style face="normal" font="default" size="100%">https://www.nature.com/articles/s41586-018-0679-9</style></url></web-urls></urls><isbn><style face="normal" font="default" size="100%">1476-4687</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;Figurative cave paintings from the Indonesian island of Sulawesi date to at least 35,000 years ago (ka) and hand-stencil art from the same region has a minimum date of 40&amp;nbsp;ka1. Here we show that similar rock art was created during essentially the same time period on the adjacent island of Borneo. Uranium-series analysis of calcium carbonate deposits that overlie a large reddish-orange figurative painting of an animal at Lubang Jeriji Saléh—a limestone cave in East Kalimantan, Indonesian Borneo—yielded a minimum date of 40&amp;nbsp;ka, which to our knowledge is currently the oldest date for figurative artwork from anywhere in&amp;nbsp;the world. In addition, two reddish-orange-coloured hand stencils from the same site each yielded a minimum uranium-series date of 37.2&amp;nbsp;ka, and a third hand stencil of the same hue has a maximum date of 51.8&amp;nbsp;ka. We also obtained uranium-series determinations for cave&amp;nbsp;art motifs from Lubang Jeriji Saléh and three other East Kalimantan karst caves, which enable us to constrain the chronology of a distinct younger phase of Pleistocene rock art production in this region. Dark-purple hand stencils, some of which are decorated with intricate motifs, date to about 21–20&amp;nbsp;ka and a rare Pleistocene depiction of a human figure—also coloured dark purple—has a minimum date of 13.6&amp;nbsp;ka. Our findings show that cave painting appeared in eastern Borneo between 52 and 40&amp;nbsp;ka and that a new style of parietal art arose during the Last Glacial Maximum. It is now evident that a major Palaeolithic cave&amp;nbsp;art province existed in the eastern extremity of continental Eurasia and in adjacent Wallacea from at least 40&amp;nbsp;ka until the Last Glacial Maximum, which has implications for understanding how early rock art traditions emerged, developed and spread in Pleistocene Southeast Asia and further afield.&lt;/p&gt;
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