Art
Certainty styling is being phased out topic by topic.
Hover over keys for definitions:In addition to adorning their bodies in one manner or another, all or nearly all peoples produce other forms of decorative art, typically in local or regional styles. These practices are very ancient among humans, as shown by archaeologically retrieved materials, objects, and cave- or rock-paintings. Symmetry of decoration is very widespread if not universal. Some handaxes, dated as early as 1,600k BP, but more definitely after 500k to 400k BP, are so exquisitely crafted and symmetrical, as well as being too large or small to suggest utilitarian purposes, that they strongly suggest developing sense of aesthetic value. Moreover, some of these axes show no sign of use. Some archaeologists suggest that, like peacock tails, these exhibitions of craft skill were means for males to advertise their fitness. The use of red ochre dates to 100k BP; apparently decorative geometric patterns from southern Africa date to 75k BP; sculpted figures from Germany date to between 38 and 32k BP; and the oldest figurative cave paintings, in southern France, date to 32k BP. Although not common, self-decoration occurs among some primates both in captivity and in the field.
References
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The age of hand stencils in Maltravieso cave (Extremadura, Spain) established by U-Th dating, and its implications for the early development of art, , Journal of Archaeological Science: Reports, 2025/02/01/, Volume 61, p.104891, (2025)
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Early human collective practices and symbolism in the Early Upper Paleolithic of Southwest Asia, , Proceedings of the National Academy of Sciences, 2024/12/17, Volume 121, Issue 51, p.e2404632121, (2024)
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Exploring the utility of Geometric Morphometrics to analyse prehistoric hand stencils, , Scientific Reports, 2024/03/15, Volume 14, Issue 1, p.6336, (2024)
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Narrative cave art in Indonesia by 51,200 years ago, , Nature, 2024/07/03, (2024)
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An Upper Palaeolithic Proto-writing System and Phenological Calendar, , Cambridge Archaeological Journal, 2023, p.1-19, (2023)
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Earliest parietal art: hominin hand and foot traces from the middle Pleistocene of Tibet, , Science Bulletin, 2021/09/10/, (2021)
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Oldest cave art found in Sulawesi, , Science Advances, 2021/01/01, Volume 7, Issue 3, p.eabd4648, (2021)
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The symbolic role of the underground world among Middle Paleolithic Neanderthals, , Proceedings of the National Academy of Sciences, 2021/08/17, Volume 118, Issue 33, p.e2021495118, (2021)
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Marks, Pictures and Art: Their Contribution to Revolutions in Communication, , Journal of Archaeological Method and Theory, 2020/07/27, Volume 27, Issue 3, p.745–770, (2020)
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Neuroimaging supports the representational nature of the earliest human engravings, , Royal Society Open Science, Volume 6, Issue 7, p.190086, (2019)
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Cross-Modality Information Transfer: A Hypothesis about the Relationship among Prehistoric Cave Paintings, Symbolic Thinking, and the Emergence of Language, , Frontiers in Psychology, 02/2018, Volume 9, p.115, (2018)
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Palaeolithic cave art in Borneo, , Nature, 2018/11/07, (2018)
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Evidence for Neandertal jewelry: modified white-tailed eagle claws at Krapina., , PLoS One, 2015, Volume 10, Issue 3, p.e0119802, (2015)
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Ornaments reveal resistance of North European cultures to the spread of farming., , PLoS One, 2015, Volume 10, Issue 4, p.e0121166, (2015)
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A rock engraving made by Neanderthals in Gibraltar., , Proc Natl Acad Sci U S A, 2014 Sep 16, Volume 111, Issue 37, p.13301-6, (2014)
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Pleistocene cave art from Sulawesi, Indonesia., , Nature, 2014 Oct 9, Volume 514, Issue 7521, p.223-7, (2014)
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Running Through a Field: Performance and Humanness, , Performance Research, (2012)